Lingua Translations

Writer’s scour around for the perfect ending to their story and sometimes beat around the bush because they are in dire need of a bottom line. The truth is writers are just waiting for the best solution to their finished project – which is of course, to publish what they have slaved over for years.

Writing a book is the easiest part of the process and getting them published may impugn one’s patience and bank account. When authors give up hopes of ever being picked by a traditional publisher, they turn to self-publishing.

Authors who have made it big in the industry have chosen to self-publish at some point in their careers: Rudyard Kipling, Ernest Hemmingway, Margaret Atwood, Stephen King, Carl Sandburg, and James Redfield just to name a few, and one can see how they all fared in the industry.

If a writer is looking for self-publishing companies to publish a book, there are a few companies that practically hold court to everything a book needs from book cover design customization, layout consultation, copyediting and even marketing. This brings the writer then to the process of going through production and seeing the actual product in book form already.

Primarily, as the writer, you would need to assess your book’s publishing plan. Ask yourself if you need editing, marketing, book cover layout consultation, interior design customization and all that jazz. After mapping out your book’s requirement, find a self-publishing company that will cater to all of your needs. Xlibris is one self-publishing company who practically has everything an author requires. The company has been in business for over a decade and they already to know what they are doing. They have programs that have all the inclusions that will turn your manuscript into a book.

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It is difficult to break into the publishing industry as a new author, and even more difficult to get an acceptance letter from an editor at a large publishing house. As an author you will work hard to finish your book, and work even harder to find the right book publisher. The good news is you can tap into several types of publishers to publish your book. Here is a look at some common types of book publishing.

GROUP PUBLISHING: Group publishing is the process by which a large company publishes your work in the name of a larger company. For example, large publishing companies often operate smaller publishing companies. The larger publishing company serves as an umbrella over the smaller group publishing companies. Sometimes these companies operate several smaller companies and book imprints that produce different genres of writing and books. Sometimes this is referred to trade publishing. For example, a large publishing group may produce best-selling adult novels, but may also operate under a smaller name to produce certain non-fiction books, cookbooks, children’s books, or niche titles. Group publishing is a popular way to publish a book.

EDUCATIONAL PUBLISHING: Educational publishing shares some likeness to trade publishing. These companies deal specifically with educational material. They may deal with only college textbooks, or they might deal with textbooks and materials for grades K-12. Besides textbooks, these companies might also produce other forms of educational material, which include posters, workbooks, CD-ROMS, software, testing material and maps. There are several big name educational publishing companies.

The Down-and-Dirty on Publishingâ??s Over-Promoted Technology

(Adapted from The Well-Fed Self-Publisher: How to Turn One Book into a Full-Time Living, by Peter Bowerman. Fanove, 2007. www.wellfedsp.com).

In a recent year, Xlibris, one of the big names in POD (Print-on-Demand), celebrated paying out their one-millionth dollar in royalties. The prior year, they helped authors publish more than 7,000 titles and sell over 300,000 books. Impressive, huh? Well, letâ??s do the math. $1 million for 7000 titles comes out to an average royalty of $149 each. Not exactly worth bragging aboutâ?¦

How POD Works

In the past few years, POD has generated a huge buzz in the industry, promising to â??provide the keys to the serious publishing kingdom for all those authors heretofore locked out of the gameâ? and other lofty claims. Not really. Remember, POD isnâ??t some â??miracleâ? or a â??publishing revolutionâ?; itâ??s just a printing technology, nothing more. Letâ??s try to separate the reality from the hype…

With POD, you submit your book to a POD publisher (AuthorHouse, iUniverse, Trafford, Xlibris and PublishAmerica are big players) in an electronic format, pay a fee (typically $400-1500 depending on the company and the marketing options selected; see below), theyâ??ll â??produceâ? your book and load it onto their system. No physical books are printed until someone orders one (i.e., through a bookstore).

POD â?? THE UPSIDES

POD makes sense for three particular scenarios:

Self publishing offers writers specially not very famous ones; such as myself a chance to get their work published by using their own money, which in essence comes down to somebody paying a publisher to publish his or her book. This creating a situation in which the publisher is left with little if any choice weather or not to publish the books they are paid to do so regardless of their quality of perhaps lack of which. All of this being in sharp contrast to before where, it was the publisher who decided which books got published or not and not always based on any real criteria, other then personal taste or just a premonition of which books would or perhaps would not sell.

Of course publishing a book, is for the most part very expensive, as it requires or at least it used to; typesetting and for several thousands of copies of the book in question to be printed with absolutely no guarantee that any were going to sell. This because the cost of printing was so high that it really did not pay to print any less then a certain number, as the cost of printing for instance one hundred copies was almost the same as printing 2000.

The age-old vision of the artist or writer toiling away at his craft, alone and hungry and living in compromised conditions, is certainly an enduring one, and it is also one that most artists and writers readily reject if given the opportunity. Unfortunately, most developing artists must endure at least a period of abject poverty as they hone their craft and struggle for recognition. The public, rather than support society’s creative brain trust, customarily engages in mocking those who have not yet achieved notoriety, while often lavishing ridiculous rewards on those who are fortunate enough to be underwritten by large publishing and promotion interests. The late (and beloved) writer Kurt Vonnegut often reiterated the sentiment that he considered himself incredibly lucky, because he personally knew at least a dozen writers who were every bit as talented, or perhaps more so, than he was and had achieved no recognition whatsoever (not to mention no financial rewards).

Without a doubt, a certain amount of luck is involved when a writer signs a contract with a major publisher. Many aspire to such recognition (worthy or not), because what artist does not wish his work to be exhibited to a large audience? In this age of high budget promotion, mass media, and instant gratification, it is easy to forget that such works as Lady Chatterley’s Lover by D. H. Lawrence and Sense and Sensibility by Jane Austen were originally private publications for the benefit of the authors and their friends and families. In fact, the list of self-published titles, and writers who acted as their own publisher, is quite longer than one might expect: